A promptbook from 1861, left by a madman.

in a Hidden Room somewhere within the beautiful 1871 Austin Scottish Rite Theater

207 W 18th Street, Austin TX  78701

info:  (310) 243-6426

The Hidden Room Theatre, The Harry Ransom Center, and the Austin Scottish Rite Theater proudly presents:

 Booth’s Richard III

by Colley Cibber as adapted from William Shakespeare

“Ready trumpet. Boy ready with armor. Take time. More piano. Long flourish continued till discovery, next Sc. – and do not W Till Mr Booth is on stage.”
For The Hidden Room, a company that specializes in historically significant theatre, these and other handwritten notes inside an 1861 promptbook for Richard III are DNA hidden in the book’s rich amber.  But the actor/director who wrote most of them, the man who is assisting this work from the beyond, is one of the most detested villains of American history: John Wilkes Booth.  
The Harry Ransom Center’s Eric Colleary, the Austin Scottish Rite Theatre, and the Hidden Room lead a team of award-winning actors, scholars, and designers to resuscitate the ghost of the promptbook’s infamous production by way of painstaking research into playing practices of the day, appropriate costumes, props, set, and music, all in a period-perfect theatre built in 1871 – a working relic with original 19th Century hand-painted backdrops, extant prompter station, a rare operational thunder run, and more.
The play itself is a Shakespeare variation – a Restoration “improvement” of Shakespeare’s classic version written by Colley Cibber in 1699. Cibber’s take was often called the “Blood and Thunder” Richard – shorter, less ambiguous, and more cruel. It was America’s Richard III, and has been seen longer on American stages than Shakespeare’s version, although it has since been lost to time.  
Join us as we explore lost theatre practices of the Civil-War era, glimpse into the mixing of 1860’s theatre and politics, and consider how rhetoric and fear turned a country against itself. The promptbook, darkly fascinating, is an unintentional gift – a magic mirror back into to a theatre in 1861, that a radicalized madman left behind.

Starring: Judd Farris, Robert Matney, Jill Swanson, Sean Christopher,  Lynn Mikeska, Kenneth Williams, Zac Crofford, Rachel Steed, Lily Pipkin, Jeremy Rashad Brown, Adam Miller-Batteau, Andrew Rodriguez, and Robert Deike.  Music Research and Direction by Howard Burkett. Fight Choreography by Toby Minor.  Props by Amanda Perry.  Lighting Design by Rachel Atkinson.  Prompting by Andrew Rodriguez.  Asst Direction by Indiia Wilmott.  Costumes by Jenny McNee.  Directed by Beth Burns.

June  15, 16, 17, 22, 23, 24, 29, 30 only.  There will be no extensions.

Fri, Sat performances at 8pm.  

Sunday Performances at 5pm.  

Relaxed Performance Friday June 22nd, 8PM.  A relaxed performance is intended to be sensitive to and accepting of those who might benefit from a more relaxed environment.  This means that there is a more casual than usual approach for front of house, and that we ask audience members to be aware of people’s needs to move or make involuntary noise.

Audio Assisted Performance for patrons with limited vision Sunday June 24th, 5PM.  Please contact the Matriarch at hiddenroomtheatre@yahoo.com to reserve your listening device.

Running time: 2 hours, 10 minutes including one 10-minute intermission.

Recommended for 12+

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